Volume 32, Number 2, April 2025

Cover with painting of women

Reading Against the Frame: Photomontage and Trans Aesthetics in the Russian Avant-Garde
Michael M. Weinstein

Modernity’s Suffocations: Plantation Assemblages in Faulkner’s Miasmic South
Sarah Hopkinson

“The Roads Is Good Now”: Rural Infrastructure in William Faulkner’s As I Lay Dying
Ethan King

Ecological Modernist Poets of Singapore: Wong May and Ho Poh Fun
Ann Ang

Winged Visions: James Joyce, Akutagawa Ryūnosuke, and the Anti-Künstlerroman
Jue Hou

Absent Presence: Virginia Woolf and British Polish Jewish Publishing Networks
Paulina Pająk

The “Unusual Dimension”: H.D., Jean Rhys, and the Projection of Bodies Through Time
Sarah Nance

Alchemy of the World: André Breton and Hector Hyppolite’s Otherworldly Revolution
L. J. Cooper

Review Essay

Nicoletta Asciuto
Brilliant Modernism: Cultures of Light and Modernist Poetry

Michael Golston
The Science Fiction of Poetics and the Avant-Garde Imagination

Matthew Kilbane
The Lyre Book: Modern Poetic Media

Reviewed by Jed Rasula

Book Reviews

Jordan Brower
Classical Hollywood, American Modernism: A Literary History of the Studio System
H. N. Lukes

Amy E. Elkins
Crafting Feminism: From Literary Modernism to the Multimedia Present
Nat McGartland and Diana Proenza

Christopher Prendergast
Modernism’s Nightmares, Derrida’s Ghosts
Victoria Baena

Aaron Schuster
How to Research Like a Dog: Kafka’s New Science
John Steen

Tobias W. Harris
Flann O’Brien and the European Avant-Garde, 1934–1945: Dublin’s Dadaist
Katherine Ebury

Mark Hussey
Mrs Dalloway: Biography of a Novel
Julia Dallaway