The Editors
Contributions
Reading Against the Frame: Photomontage and Trans Aesthetics in the Russian Avant-Garde
Michael M. Weinstein
Modernity’s Suffocations: Plantation Assemblages in Faulkner’s Miasmic South
Sarah Hopkinson
“The Roads Is Good Now”: Rural Infrastructure in William Faulkner’s As I Lay Dying
Ethan King
Ecological Modernist Poets of Singapore: Wong May and Ho Poh Fun
Ann Ang
Winged Visions: James Joyce, Akutagawa Ryūnosuke, and the Anti-Künstlerroman
Jue Hou
Absent Presence: Virginia Woolf and British Polish Jewish Publishing Networks
Paulina Pająk
The “Unusual Dimension”: H.D., Jean Rhys, and the Projection of Bodies Through Time
Sarah Nance
Alchemy of the World: André Breton and Hector Hyppolite’s Otherworldly Revolution
L. J. Cooper
Unfortunately, we are never far from wars, and the essays and images in Modernism/modernity have been reflecting on that repeatedly in the past few issues and on Print Plus.
“Coming out of the dark”: Late Modernism on the Radio
Oliver Evans
Dreaming through Marg
Rashmi Viswanathan
“Time is always guilty”: Narratives of Modernity in Interwar Detective Fiction
Stuart Middleton
Nella Larsen’s Quicksand and the Impasses of Progressive Art
Rohan Ghatage
A forum for reflections that live in the creative space between disciplines, languages, media, and categories.
Intermittent Love: Relational Modes in Proust
Zakir Paul
Playing Amanuensis to Inner Urges: Masculinity, Authorial Anxiety, and Wallace Thurman’s Typewriter
Tamlyn Avery
“Like a Living Plant”: Modernizations of Rootwork in Cane and Passing
Mia Alafaireet
We have a timely cover for the 31.3 issue. The questions of choice, propaganda, and freedom surround us today, as they did during the Second World War, when the periodical Choix was published (read about its fascinating history in the essay by Guy Woodward and James Smith).
Literary Labor: Radclyffe Hall’s Reproductive Futures
Hannah Roche
Zora Neale Hurston’s Recorder
Kristin Rivero
4′′ x 6′′ Time Machines: Nabokovian Mnemotechnics and Interwar Psychical Research
Elvin Meng
Cosmopolitan Anarchy: Ananda Coomaraswamy, Transnationalism, and Walt Whitman
Allan Antliff
Surviving the Disappearance of Landscape: Joan Merli, the Catalan Exile Who Printed Argentine Modernity
Pablo García Martínez
A Contagious Ophthalmic Psychosis: Carl Julius Salomonsen and the Epidemic of Artistic Modernism in Europe, 1919–20
Andrew Hodgson
The Prix Femina Vie Heureuse Anglais, 1919–1940
Clara Jones
Writing for Goony Friends: Jane Bowles, Weak Theory, and Coterie Aesthetics in Midcentury American Literary Culture
Nicholas Beck
The Meteorological Device: Literary Modernism, the Daily Weather Forecast and the Productions of Anxiety
Barry Sheils
Looking beyond the Mutoscope Cinematicity in “Nausicaa”
Keith Williams
The Unpastoral: Walter Ruttman and the Politics of Symphonic Form
Sarah Pourciau
Fetishizing Blackness in the Harlem Renaissance
Patrick Kindig
The first issue of volume thirty one of Modernism/modernity is here and the range and depth of the essays in the new issue is noteworthy.
In the coming weeks, we will be delighted to promote Modernism/modernity 30.4—which arrived in mailboxes a little while ago—on Print Plus.
“Move Forward and Ascend!”: Temporality and the Politics of Form in Turkish Modernist Literature
Kaitlin Staudt
Furnishing Italian Colonialism: “Nomad” Interiors and the Habitations of the Empire
Ignacio G. Galán
The Archipelagic Imaginary in Eric Walrond’s Tropic Death
Chih-Chien Hsieh
“verse-play” or “spoken ballet”? W. H. Auden, Rupert Doone, and a New Poetic Drama
Gabriela Minden
“Wire with something in it from men to men”: Robert Frost, the Rural Telephone Network, and the Poetics of Eavesdropping
Steven Nathaniel
Happy new year from the Rutgers Desk of Modernism/modernity! As the new co-editor of Modernism/modernity, it is a privilege to introduce the 30.3 September issue, despite a delay of a few months.
Kafkaesque Cinema in the Context of Post-fascism
Angelos Koutsourakis
“To Measure is All We Know”: William Carlos Williams and the Science of Measurement
Christian R. Gelder
“A New Appropriate Poetry”: Gender and the Language Track in Muriel Rukeyser’s A Place to Live
Kate Partridge
Dutch Neorealism and Cinema Magic: The Case for a Filmic Modernism
Stephanie Lebas Huber
Looking In: Teresa Deevy, Deafness, and Radio
Emily Bloom
Modernist Epithalamia: Revival, Revision, and Subversion of Sappho in H.D.’s “Hymen”
Amanda Kubic